[dl] Music


 

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These box sets, some of our favorites from 2008, are all packed with tons of classic tunes and appealing extras. They’ll be the perfect gift for the music lover on your list -- or a little something special for yourself.

 


The Soul of Rock and Roll
Roy Orbison
(Monument/Orbison Records/Legacy, $60)
The owner of rock’s most haunting and powerful voice finally gets a proper box-set treatment with this 107-track marvel. Produced by Orbison’s widow, Barbara, the four-disc collection covers the entire expanse of a five-decade career marked by musical triumph and personal tragedy, stretching from his earliest work for Sun Records to his posthumous radio smash “You Got It.”


The Story So Far …
Stephen Sondheim
(Sony Classics, $55)
Hailed as one of the giants of musical theater, composer/ lyricist Stephen Sondheim (West Side Story, Sweeney Todd) is the subject of this richly textured career overview. This collection features the best of Sondheim’s 15 stage shows as well as his work for film and TV. But the true treasure trove comes in a batch of 30-plus previously unreleased songs, including demos from Sondheim’s personal collection and a handful of pieces from projects that never came to pass.


Love Train: The Sound of Philadelphia
Various Artists
(PIR/Legacy, $50)
Though often overlooked for soul-music capitals like Detroit or Memphis, the City of Brotherly Love was a major R&B player throughout the 1970s. This multidisc collection puts the focus on the legendary Philadelphia International record label -- the brainchild of producers Kenny Gamble and Leon Huff -- featuring the sophisticated, dramatic songs of artists like the O’Jays, Harold Melvin & the Blue Notes, Billy Paul, and many others.


The Gonzo Tapes: The Life and Work of Dr. Hunter S. Thompson
Hunter S. Thompson
(Shout! Factory, $60)
The private archive of late gonzo journalist Hunter S. Thompson is explored in this lavishly packaged collection of personal audio recordings and interview tapes. The five-disc set documents Thompson’s groundbreaking work from the mid-1960s to the mid-1970s, capturing everything from his fl yon- the-wall coverage of the Hells Angels to his chronicling of the historic 1972 presidential campaign and beyond.


Online Only


Genesis: 1970–1975
Genesis
(Rhino Entertainment/Atlantic Records, $140)
Prog-rock fans can rejoice, as the early work of Genesis is lovingly detailed on this 12-CD/DVD set. Capturing the Peter Gabriel–led era of the band — and also featuring drummer and eventual front man Phil Collins — the collection includes the band’s entire studio catalog from this period as well as rare tracks and hours of new and previously unreleased video footage.


People Take Warning! Murder Ballads & Disaster Songs 1913–1938
Various Artists
(Tompkins Square, $52)
Rescuing a selection of early-twentieth-century songs about “death, destruction, and disaster” from the dust bin of American music history, the fledgling Tompkins Square label has fashioned a remarkable folk collection here. Produced by Grammy-winning archivists Christopher King and Henry “Hank” Sapoznik (and featuring an introductory essay by Tom Waits), the three-disc set is a veritable history lesson set to music, pulling together topical tunes — about everything from the Titanic to the death of Knute Rockne — and timeless tales of calamity and catastrophe.


To Be Free: The Nina Simone Story
Nina Simone
(RCA/Legacy, $50)
Nina Simone bore the brunt of racial injustice and let it fuel her vivid, visceral art, captured here in this essential retrospective on one of the great vocalists and social activists of the last 50 years. The track list includes a handful of unreleased recordings and a bonus DVD featuring an Emmy-nominated 1970 television documentary about the singer.


The Complete ’68 Comeback Special: 40th Anniversary Edition
Elvis Presley
(RCA, $50)
The King’s historic return to the stage after a decade in Hollywood is recounted in exhaustive detail on this new four-CD 40th-anniversary box. Including all the recordings made for the famed 1968 NBC television special that reintroduced him to the world, the set is a powerhouse collection of gospel, blues, pop, and rock that captures Presley at the peak of his powers.


The Complete Motown Singles Volume 10: 1970
Various Artists
(Hip-O Select, $120)
Hip-O Select’s latest collection captures the famed Detroit label at a crossroads. The year 1970 seemed to crystallize the social, political, and racial unrest of the previous decade, something that was reflected in the music of Motown’s rapidly maturing stars, including Marvin Gaye and Stevie Wonder. Their work, along with songs by label stalwarts like the Supremes, the Temptations, and the Jackson 5, are captured on this limited edition six-disc set.

The Monthly Mix

A playlist to get you through the holidays, whichever ones you celebrate. By Zac Crain

Snow Patrol, “Take Back the City”
(A Hundred Million Suns, 2008)

Vince Guaraldi, “Christmas Time Is Here”
(A Charlie Brown Christmas, 1965)

My Morning Jacket, “One Big Holiday”
(It Still Moves, 2003)

They Might Be Giants, “Feast of Lights”
(Holidayland, 2001)

The Ramones, “Merry Christmas (I Don’t Wanna Fight Tonight)”
(Brain Drain, 1989)

Eisley, “The Winter Song”
(Maybe This Christmas Too? 2003)

Goldenboy, “Sing Another Song for the Winterlong”
(Blue Swan Orchestra, 2002)

The Decemberists, “Record Year”
(Always the Bridesmaid Vol. III, 2008)

Frank Black/Black Francis, “The Holiday Song”
(Frank Black Francis, 2004)

Julian Koster, “Silent Night”
(The Singing Saw at Christmastime, 2008)

[dl] Big Screen


PICTURE BOOKS

 

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Three of this month’s new releases have been adapted from page-turning works of fiction. But which flicks are worth seeing -- and which are better on paper? By Joseph Guinto

MOVIERevolutionary RoadThe Curious Case of Benjamin ButtonMarley & Me
PREMISEA couple -- played by Leonardo DiCaprio and Kate Winslet -- becomes disenchanted with their suburban existence in 1950s America. But when they decide to depart from the predictable path, their relationship crumbles.Benjamin Button (Brad Pitt) is born as an old man and ages backward. He lives his life while growing younger, eventually dying as an infant. Weird.A newlywed (Owen Wilson) gets a dog to keep his wife (Jennifer Aniston) from wanting children right away. The dog does bad things, but they still love it. It’s kind of like Turner & Hooch, only without the murder at the beginning.
READ IT?If you’ve ever wanted to ditch the cul-de-sac for the Champs Élysées, you can relate to Richard Yates’s 1961 novel about Americans Frank and April Wheeler and their escape to Paris. The characters are both compelling and repellent -- you see yourself in them and wish you didn’t. That’s why Slate.com recently called the book “one of the most depressing novels ever written.”The Great Gatsby author F. Scott Fitzgerald wrote this short story in 1922 after doing a little deep thinking about Mark Twain’s remark that the best part of life comes at the beginning and the worst part at the end. Fitzgerald sets the story in Baltimore just before the Civil War and ends it in what would have been his own future: 1930.The best-selling book is great for dog lovers, in part because author John Grogan’s prose is kind of like a pooch -- cute, pleasantly approachable, and slightly bothersome. Consider the opening paragraph: “We were young. We were in love. We were rollicking in those sublime early days of marriage when life seems about as good as life can get. We could not leave well enough alone.”
SEE IT?The script sticks close to the book, right down to the time frame, the Mad Men-esque set stylings, and Frank’s rantings and ravings. The film mix could lead DiCaprio to another Oscar nomination. If not, maybe they’ll let him keep one of those gray flannel suits; they’re very hip now.Eric Roth, the writer behind Forrest Gump, significantly expanded Fitzgerald’s story for the film. The movie’s time frame is now from 1919 to 2005, Button’s home city is now New Orleans, and the name of his love interest has thankfully been changed from Hildegarde to the more Gatsby-esque forename Daisy.While the book follows Marley’s entire life span and the birth of the couple’s three kids, the movie focuses mostly on the pre-kid phase, when Aniston’s character is discovering her maternal instinct (didn’t TMZ just have an item about that?) and Wilson’s is trying to remember when he was funny.
OUR TAKEThe movie clocks in at about two hours. The book is 368 depressing pages. So we’re inclined to skip the book, unless that’s too predictable. In that case, we’re reading it.Because Fitzgerald’s story is a breezy short story, and because the filmmakers deserve credit for making Brad Pitt look like a wrinkly old man, we’re going to read and watch.The film’s tagline is “This Christmas, Heel the Love.” Seriously. Doesn’t that make you want to stick to the book? Good boy.


Speak Easy

By J. Rentilly

“In grade school, I pulled a chair out from under a girl named Barbara Curry. Of course, that made her extremely angry, so I had to run, and I was caught by my English teacher, Miss Cosburn. She frog-marched me to the classroom of another English teacher, who was looking for somebody to be in a play that was going to compete in a statewide contest. I did the play, we won the contest, and I became an actor. That’s how life works.” -- Morgan Freeman, on how he got turned on to acting